Behind the Scenes: 'Light Years'

The concept 'Light Years' was inspired by S/S 14 beauty trends such as those seen below at Mui Mui and Holly Fulton. Nars international makeup artist Anna Priadka and I discussed that the sheer, glossy blues and purples would photograph beautifully under a selection of sci-fi-esque kaleidoscopic lighting to highlight both tone and texture.

Volt Magazine commissioned this as an online 'Volt Cafe' exclusive; a refreshing injection of S/S inspiration with a conceptual, cinematic aesthetic.

 

Click to view the shoot on Volt Magazine's website

Alice Luker
www.aliceluker.co.uk

Dark City: Neo-Noir Masterpiece

As I'm sure many of you may already know (I have a tendency of mentioning it...quite a lot) I'm strongly inspired by film. I don't like to limit myself by genre either, as I believe that you can harmonise elements of inspiration from all manner of film, art, music etc. The more you exposure yourself to -even if not typically your 'genre of choice'- the more you mentally gather, ready to use as inspiration when the moment arrives.

If there was ever a film for inspiring neo-noir cinematography this would be incredibly high, if not top of my list. From a visual perspective the lighting is incredibly stylised; a futuristic progression of Renaissance chiaroscuro, and a further development from 30s/40s Film Noir. 

The image above on the left is a film still from 'Dark City' and on the right is an editorial photograph from Numero China by Yin Chao. You can see the similarity of lighting style and strong sense of cinematic emotion, enhanced through this multi-toned/coloured conceptual lighting and cinematography.

I absolutely recommend this film, a perfect example of science fiction neo-noir at its visual best. Bonkers storyline yet also very relative to the concept of 21st century hyper-reality we currently live in, more relevant to the fashion industry than we may think...

Alice Luker
www.aliceluker.co.uk

Martha Parsey: Echos of Fashion Photography

It was a couple of weeks ago at the MATCHES.com press afternoon/ evening (which was rather wonderful I must add) that I first came across the remarkable work of Martha Parsey. It isn't often that I see a modern piece of art that I must know who the artist is and knew if I walked away without asking it would haunt me for quite some time...

Martha's work is alluring and emotive, evoking a sense of wealth and beauty often combined with an enigmatic overtone of melancholy. Art that you can get utterly lost in, gazing at the subject in search for meaning within the frame she will forever reside.

I  also see resemblances in a number of her subjects to current fashion figures. Taking the above images for example; the first painting is a carbon copy of fashion model Frida G, the brunette below Jaclyn Jablonski. I'm not entirely sure whether this was intentional but it would be interesting to find out. 

There is no denying that Martha Parsey is an exceptionally talented artist; utilising her studies of film and painting to produce works of art reflective of both film stills and high fashion photography, perfectly pertinent to the 21st century. 

Alice Luker

www.aliceluker.co.uk