Monday, 14 July 2014

The National Gallery: Christmas in July

So here we are, almost in the middle of July, otherwise known to the fashion and media world as 'Christmas in July. It's my first year of attending these press days and in addition to baffling my already confused seasonal clock -fashion weeks largely responsible- they have provided me with a fountain of knowledge and gained respect of the fashion retail industry.



The National Gallery press day, hosted by Portas agency and elucidated by Colin Chester their Head of Buying, took place last week in a cosy yet historically suitable room adjoining their restaurant. From their mouthwatering range of 'Delicious Art', Print on Demand, jewellery & gifts, neighboured by a pleasantly kaleidoscopic range of Christmas merchandise, I was very impressed. 




The National Gallery may not be an obvious choice for gifting but to be honest, for anyone that has an interest or passion in the arts, there appeared to be something suitable for all. From a family member that seems to have everything to a friend in the creative industry; gifting with a little artistic substance offers something personal, unique and altogether rather thoughtful.

My highlight was the Rembrandt inspired collection; a flawlessly curated selection of goods, complete with suitably autumnal toned rich & rustic copper notes, lifted by the peacock red bowl (pictured below) retailing at an impressive £30. 'Rembrandt: The Late Works' launches at the National Gallery in October and the gifts will be available to purchase as soon as it begins.



The range of fashion and accessories within the Rembrandt collection are also well selected, with key pieces (pictured below) including the maple fur tippet at £35 and multicoloured bangles by Halcyon Days at £59 each. There is also a selection of unbranded jewellery, an impressive proportion of which under £10. One of my favourites was the gold feather bracelet, retailing at only £6.95. 

My somewhat frivolous purchase of choice would have to be the semi-precious solitaire set, featuring 38 charmingly coloured stones, at £100. 



I believe its easy to underestimate shops in museums and galleries and perhaps, like the spaces themselves, it is always possible to find a hidden gem for everyone. 

Would you be tempted to buy your gifts at The National Gallery?

-All images shot (non sponsored) on the Nokia Lumia 1020 smartphone-

Alice Luker
www.aliceluker.co.uk

Friday, 11 July 2014

Faces of the Future: Part 2

Welcome to my part 2 blog post on faces of the future. There is such diversity of model talent in London and every season, the top influencers of the industry tend to gravitate towards a couple of girls, otherwise known as the 'breakthrough girls'- excelling and dominating everything, from major campaigns & editorials to catwalk.

Betty Adewole, a perfect example of a recent breakthrough girl -whom I met at a casting last year- is now shooting regularly for Tom Ford, walking for Givenchy and was recently featured as the 'it' model in Sunday Times Style Magazine. She's down to earth, switched on and a total knockout on camera; pulling off anything from super sexy beachwear to Shoreditch tomboy, the latter of which best reflects her personal style.


Yulia Musieichuk @ Select


Yulia is destined for great things, wholly dominating the pages of every major high fashion magazine both in London and internationally at this moment. Yulia possesses the perfect balance of chameleon-esque genes whilst retaining her distinctive appeal. She is literally on the cusp of breakthrough, having celebrated her first major campaign for J.W Anderson this season. 


Sofia Rivolta @ IMG




Sofia encapsulates the definition of raw beauty, the makeup free image above showcasing her undeniable potential. She appears to be super new to IMG London (only a couple of images on the website) but I anticipate she will be promoted up to mainboard at an above average speed. Her mother agency is in Milan. 

Karol Santos @ Next



Karol is a beautiful Brazillian model represented by Next Model Management; a razor sharp beauty with a promising future ahead of her. She's equally strong in both editorial and commercial and totally unforgettable once you've met her. 


Would love to hear your thoughts, who's your favourite girl?


Alice Luker

www.aliceluker.co.uk

Tuesday, 1 July 2014

The BFI Southbank: Creative Paradise

I'm an real fan of the BFI and enjoy my visits to their flagship Southbank location, reeping the many benefits on offer. The key attraction that reels me in (pardon the pun!) is the film library, enriched with an extensive archive of magazines, books and other compelling content related to the film industry.



Titles that I found particularly interesting include a book on illustrative storyboarding, the Neo-Noir genre, psychology of film and recent BFI focus (during which they screened a number of infamous films within this genre), gothic horror. I find that periodic visits to the library keep my ideas fresh whilst maintaining an element of cinematic depth and intellectual underpinning.



The library has 2 rows of comfortable little booths -in addition to other seating- complete with a cluster of plug points (heaven!) and wifi. The collection spans the entire history of cinema, exploring individual actors/actresses, directors, lighting, locations and many more elements fundamental to the industry. Its free to use and is open Tuesday-Saturday between 10:30am-7pm. The late closure is perfect and often find myself visiting from around 4/5pm till the very end.


Another great feature (which to be honest, I should really keep a secret) is the Mediatheque. You can turn up on the day or call in advance to book either a 2 or 4 person seating area complete with its own screen, choosing from a selection of films, documentaries or selective TV episodes in their archive.

I find their playlist like 'collections' -often determined by genre or theme- particularly helpful. For example, they describe their 'Dancing Feet' collection as 'Britains rich legacy of dance on screen, and 'Pandoras Box' collection as 'A dip into the world of the odd, the esoteric, the delightful and the downright dangerous'. BFI's team of film experts have already selected the best of the bunch for you, which in my opinion is flipping fantastic- and all accessible on their website. 


I would recommend browsing the collections on offer prior to your visit and making note of a few options, if not exactly what to watch as you're only limited to a maximum of 2 hours. On my first visit I was in such a fluster (the countdown clock is visible on the screen which can be totally off-putting) that I lost too much time and ended up watching an episode, although a fantastic one at that, of Ab Fab. On a more successful visit I watched the John Hurt adaptation of George Orwell classic '1984' and felt the venue of the Mediateque within the BFI rather enhanced my experience.


Yesterday afternoon I made my way to the BFI Southbank after a meeting in Camden, intending to visit the library- which you may have guessed from what I mentioned earlier, was closed. Instead, myself and Lauren Miller (fashion stylist whom I have worked with on many occasions) booked seats for the early evening showing of 1948 'Spring in a Small Town'; part of their 5 month focus on 'A Century of Chinese Cinema', celebrating Chinese film over the past 100 years.



Although a little slow at times, the B&W film was thought provoking and inspiring, impressive when you realise how promptly it was made after the war. From a fashion perspective, the adaptation of 1940s clothing and hair styles in China was fascinating, as although different, they still appear distinctive from the era. The central character's outfits remained a consistent length/ shape throughout, perfectly tailored to her shape yet more conservative than the angular figure hugging suits dominating British fashion in the 40s. 



Whether visiting the library, Mediatheque or cinema; I feel the BFI Southbank has something of interest to us all, well worth a visit if you find yourself with a couple of hours spare in London. It has a cozy, well sized cafe too, energised by a diverse filmic crowd and offers a good cup of coffee-or glass of wine depending on the occasion!

Have you visited the BFI library or Mediatheque? I would love to hear your experience. 

Alice Luker
www.aliceluker.co.uk