Showing posts with label Cinema. Show all posts
Showing posts with label Cinema. Show all posts

Tuesday, 1 July 2014

The BFI Southbank: Creative Paradise

I'm an real fan of the BFI and enjoy my visits to their flagship Southbank location, reeping the many benefits on offer. The key attraction that reels me in (pardon the pun!) is the film library, enriched with an extensive archive of magazines, books and other compelling content related to the film industry.



Titles that I found particularly interesting include a book on illustrative storyboarding, the Neo-Noir genre, psychology of film and recent BFI focus (during which they screened a number of infamous films within this genre), gothic horror. I find that periodic visits to the library keep my ideas fresh whilst maintaining an element of cinematic depth and intellectual underpinning.



The library has 2 rows of comfortable little booths -in addition to other seating- complete with a cluster of plug points (heaven!) and wifi. The collection spans the entire history of cinema, exploring individual actors/actresses, directors, lighting, locations and many more elements fundamental to the industry. Its free to use and is open Tuesday-Saturday between 10:30am-7pm. The late closure is perfect and often find myself visiting from around 4/5pm till the very end.


Another great feature (which to be honest, I should really keep a secret) is the Mediatheque. You can turn up on the day or call in advance to book either a 2 or 4 person seating area complete with its own screen, choosing from a selection of films, documentaries or selective TV episodes in their archive.

I find their playlist like 'collections' -often determined by genre or theme- particularly helpful. For example, they describe their 'Dancing Feet' collection as 'Britains rich legacy of dance on screen, and 'Pandoras Box' collection as 'A dip into the world of the odd, the esoteric, the delightful and the downright dangerous'. BFI's team of film experts have already selected the best of the bunch for you, which in my opinion is flipping fantastic- and all accessible on their website. 


I would recommend browsing the collections on offer prior to your visit and making note of a few options, if not exactly what to watch as you're only limited to a maximum of 2 hours. On my first visit I was in such a fluster (the countdown clock is visible on the screen which can be totally off-putting) that I lost too much time and ended up watching an episode, although a fantastic one at that, of Ab Fab. On a more successful visit I watched the John Hurt adaptation of George Orwell classic '1984' and felt the venue of the Mediateque within the BFI rather enhanced my experience.


Yesterday afternoon I made my way to the BFI Southbank after a meeting in Camden, intending to visit the library- which you may have guessed from what I mentioned earlier, was closed. Instead, myself and Lauren Miller (fashion stylist whom I have worked with on many occasions) booked seats for the early evening showing of 1948 'Spring in a Small Town'; part of their 5 month focus on 'A Century of Chinese Cinema', celebrating Chinese film over the past 100 years.



Although a little slow at times, the B&W film was thought provoking and inspiring, impressive when you realise how promptly it was made after the war. From a fashion perspective, the adaptation of 1940s clothing and hair styles in China was fascinating, as although different, they still appear distinctive from the era. The central character's outfits remained a consistent length/ shape throughout, perfectly tailored to her shape yet more conservative than the angular figure hugging suits dominating British fashion in the 40s. 



Whether visiting the library, Mediatheque or cinema; I feel the BFI Southbank has something of interest to us all, well worth a visit if you find yourself with a couple of hours spare in London. It has a cozy, well sized cafe too, energised by a diverse filmic crowd and offers a good cup of coffee-or glass of wine depending on the occasion!

Have you visited the BFI library or Mediatheque? I would love to hear your experience. 

Alice Luker
www.aliceluker.co.uk

Monday, 2 June 2014

Day in the Life of a Film Extra: Martin Scorsese's Mermaid

Before my days of fashion photography I was signed to a number of 'supporting artiste' film extra agencies. I have been on the set of adverts, TV series in addition to big budget films such as Robin Hood and Xmen; each an entirely different, unique experience to the next. I've been painted a luminous shade of orange as a Zodangian civilian in 'John Carter of Mars', choreographed to learn 1920s dance steps for a period drama and doubled for Marion Cottilard in a Miss Dior advert.



My most memorable experience on a film set was Martin Scorsese's Hugo. The scene was inspired by John Méliès, a real life french filmmaker leading many developments in the early years of cinema. 
His vision was experimental, often using special effects including multiple exposures, time-lapse photography and hand painted colour work to depict narrative scenes. A still from Méliès most recognised film 'A Trip to the Moon' is below. 



My role was to be transformed into a 19th century mermaid, the scene inspired by Méliès 'Kingdom of the Fairies'. In the lead up to filming I attended 3 costume fittings (two of which were at one of the largest costumiers in London, Angels) and one rehearsal on set. The set itself was breathtaking, a greenhouse like structure at Shepperton studios, designed to mimic the Parisian studio where filming would have taken place in the early 1900s. 



You can see me below on the right in the film stills. 


Poseidon sleeping whilst we play a comparably non 19th century game of Uno in wellys and hair nets...


Film production is an unbelievably complex medium, with one 20-30 second clip for example often taking a full day to film. The team involved to make it possible and the attention to detail in continuity, set building, hair & makeup, costume etc is phenomenal.

Although witnessing film production first hand is a bit of an anticlimax when it comes to eventually watching it at the cinema, my involvement has opened my mind to the limitless opportunities of creating visually stimulating images- a valuable experience which continues to inspire me today. 

Alice Luker
www.aliceluker.co.uk

Friday, 21 March 2014

'The Grand Budapest Hotel'


Over the past couple of years I have been increasingly inspired by film. Film is such a powerful, emotive tool, enriched with ambiguity via vast mechanically reproduced concepts of reality. From Marvel superheroes to less conspicuous protagonists, the spectrum of ideas and thematic sequences appear almost infinate.

Cinema also illustrates a fine example of how relative and thought-provoking the creative industry can be, stimulating both visual palette and conceptual thought.

Earlier this week I watched 'The Grand Budapest Hotel' (directed by Wes Anderson; known previously for Moonrise Kingdom, The Darjeeling Limited and Fantastic Mr Fox) at the Odeon in Marble Arch. I found the cinematography and set beautiful, complimented by a quirky script and satirically camp characters.

Wes Anderson's vision is alluring and unique; set within a parallel yet culturally stimulating universe to our own. Overall, I found 'The Grand Budapest Hotel' perfectly stylised and a visual treat to absorb as a photographic artist- 4/5 stars!

Alice Luker
www.aliceluker.co.uk