Paris Fashion Week: Issey Miyake Street Style

I have been using the new Olympus PEN camera during London and Paris fashion week- perfect in size/ weight whilst producing all important great quality images. I wasn't focusing on street style per-se during London, more details of the catwalk, however have been partaking in a little peeping tom-esque (no real essence of peeping though as there tends to be a sea of photographers outside every major venue) whilst in Paris.

Theres something quite exhilirating about photographing individuals within a crowd slightly off guard, more often than not in a rush- you never quite know who you're going to see or what you're going to get. I do like posed street style but often find non posed images ironically more engaging; devoid of 'auto pilot poses' with an essence of realism.

I also find the style of guests interesting to observe based on the show they're attending. In London, when I attended the KTZ and Nasir Mazhar show, people were dressed with considerably more urban inspired elements (baseball caps, trainers etc) than how one would expect guests to dress to Christian Dior or Lanvin for example. At Issey Miyake there were an awful lot of the popular holographic Issey Miyake bags from a couple of seasons prior.

Anyway, please enjoy a selection of street style highlights from the show. If you've heard of street style photographer Bill Cunningham (documentary on Netflix, anyone?) you may spot him sneaking in to one of my pictures- I had no idea he was there until I was editing on my laptop!

London Fashion Week: Olympus PEN E-PL6

During London Fashion Week I was given a fantastic opportunity to try out the brand new Olympus Pen E-PL6. For editorial and commercial work I always shoot with super high spec professional models however on the occasions when I'm attending events as a guest, heading off on holiday etc and need a little more flexibility, this camera is a fantastic option; ideal for London Fashion Week.

As a photographer, I'm a little harder to please when using affordable cameras aimed to a wider audience- it's very hard as there are so many options and where there are options, countless opinions follow. You may be able to buy a relatively good 'point and shoot' for £150-200 but more often than not, their longevity isn't great and the quality (in many more ways than one) doesn't exceed that of a phone.

The Olympus Pen E-PL6 (retailing at £429) is a very well considered camera. The quality and clarity is first rate when combined with optimum settings; achieving sharp images with enhanced colour depth and detail. The camera itself is chic and customisable, with an array of accessories including lens caps, grips and straps.

Everything about the camera works as you would anticipate- there are no grey areas which drive you mad and its quick and easy to change the settings, even in a rush as I was on the catwalk at fashion week!

I'm looking forward to using the Olympus Pen at Paris Fashion Week between 24th-29th September and will keep you updated on my progress. Not only is the Pen a great camera, it will also compliment my monochrome parisian wardrobe to perfection!

Dries Van Noten at Les Arts Decoratifs

During my short visit to Paris last week I had a couple of hours here and there to visit exhibitions, one of which being the Dries Van Noten at Les Arts Decoratifs. This museum is one of my all time favourites; the Parisian parallel of the Victoria & Albert museum in London, conveniently situated next to the Louvre the central line 1.

Dries Van Noten as a designer isn't as globally known as the majority of designer retrospectives featured at Art Decoratifs including Madelaine Vionnet (queen of the 1920s empire line dress) and Louis Vuitton Marc Jacobs, however as much as it is a showcase of the designer's work, the focus is centralised on the relationship between his collections and the inspiration leading to the final result presented on the catwalk.

My initial reaction was positive; a strong entrance to the show with a semi patent floral door to introduce his signature theme of hyper-real flowers & nature. Once inside, the show begins in a darkened room filled with names of models, photographers, pop stars etc of whom acted as inspiration to Dries in his early years of the 1970s/80s. The diversity of names featured, highlights the relevance of culture at this time, kick starting the ultimate focus of the exhibition, inspiration.

It takes a little while to suss out the layout and is worth making yourself familiar with this before wandering onwards to make the most of the show. Aside from the initial couple of rooms and final  room with a collage of catwalk videos, each cabinet features a selection of pieces from one of Dries' collections, contrasted with pieces by other designers (such as a Thierry Mulgar dress from 1978/79 in the middle of the gold/metallic room image below), paintings, film clips, graphic art and so on.

The juxtaposition of inspiration pieces next to Dries' collections is particularly fascinating, as you deconstruct the elements reflected in the clothing. Taking his Spring/Summer 09 collection as an example, he combined inspiration from 13th century art with contemporary optical art- enriched with sumptuous colour, crisp lines on the print and areas of curvature crafted within the piece itself.

Other themes featured in the exhibition include orientalism/ bollywood, high society, military, 'The Kiss' in Hollywood film and nature. Highlights include artwork by Damien Hirst and Francis Bacon in addition to film clips of 'The Man Who Fell to Earth' with David Bowie and 'A Clockwork Orange' by Stanley Kubrick; inspiration triggering his imagination throughout his life and career.

Although a little dark as I attempt to write notes (I could barely read my own writing afterwards), the curation forms a compelling show; leaving you feeling inspired and creatively energised from start to finish- a must see in Paris!

'Dries Van Noten: Inspirations' runs from March 1st- November 2nd 2014

Alice Luker
www.aliceluker.co.uk